![]() In 2002, the pair was asked to accompany a silent film program there. Partners as well as bandmates, Majewicz and McCormick grew up in Rochester, N.Y., home of the George Eastman Museum, one of the world's biggest and oldest film archives. ![]() "But there's a lot more serious stuff to think about than losing a bunch of accordions." They 'really get comedy' "It's one of those things: It's all wrapped up in how painful the whole time has been. "We are so lucky and privileged," Majewicz said. "What accordionists call 'the golden age,' " McCormick deadpanned. From an East Coast dealer, Majewicz bought a black Bell accordion from the 1950s. Which, to this duo, means old instruments. Recording equipment and rare books.įriends and fans pitched in, raising about $20,000 for new instruments. No one was hurt, but the band lost a host of instruments: seven vintage accordions, old pianos and organs, an upright bass. After the killing of George Floyd, the Ivy Building for the Arts ignited in the riots that followed, likely via sparks from the nearby Hexagon Bar. The series is a return of sorts for Dreamland Faces, who have played few shows since last year, when their longtime studio in Minneapolis' Seward neighborhood burned. "We've seen them over and over again, and they're still worth watching - which is saying a lot." "One of our favorite things about the Buster Keaton movies is that they remain good movies," McCormick said. The band has become beloved regulars at the tiny Trylon, where they're scoring the silent half of this month's "Buster and Jackie," a series that pairs films by actor and martial artist Jackie Chan with cinema's original stuntman, Buster Keaton. Trylon Cinema's programmer John Moret credits his favorite silent film moment to Dreamland Faces: During the 1919 film "South," about Antarctic explorer Ernest Shackleton, McCormick roared like a walrus. The duo sets the mood, builds the mystery and cues the mayhem. Or the movie "The Wind." Or silent film itself.įor nearly two decades, Karen Majewicz and Andy McCormick have composed and performed dozens of scores for silent films filled with accordion, organ and the warbling of a musical saw. (ex.Falling in love with Dreamland Faces might appear, at first, like falling in love with Buster Keaton. This is why patterns become very important in the Black-White mode, because if you don't consider all the cases, you may die. and Multi-C, begins from the top or the bottom, either L (CCW) or R (CW). Beginning of 321, either (top or bottom) direction.C-shaped parts with a hole at the top or the bottom.If you watch a part that looks like, there are 10 possibilities. Which direction I should move? The answer is bottom obviously, but let's think about a moment earlier. ![]() This is why this makes everything harder. (Occational spins makes this easier.) Not rotating makes you to move pointer to (vertically) middle as much as possible. If there was spin, I would be able to decide which direction I should rotate before it's too late. Can you tell me which direction, top or bottom, I should move? (Ignore the Solo) If my pointer was at the bottom and the holw was at the top, I wouldn't be able to move 3 units because simple there's no time to move. This makes preparing for patterns very important, and makes black-white mode requiring a lot of different strategies from other Super Hexagon levels. However, it isn't, because you can't check top and bottom sides of a part until it comes close to you. You may think that the fact that there's no rotation makes it easier. ![]() Not rotating makes everything HARDER(and, why patterns are important)
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